Okay! Being the Halloween season, I'm doing my due diligence and delving into horror films. And man, have I delved. I won't hit you up with every loser I struggled through. But I'll mention the noteworthy (for various reasons) films. Get used to it. I'm going to do this each year.
*Possibly the biggest surprise to me was the remake of Fright Night (2011). I hadn't expected to like this in the least, after having suffered through so many poor remakes of horror "classics (debatable term)." But this film is surprising, funny, well-acted and sharply-written. I actually like the original, but I think the filmmakers, for once, improved on the original recipe. Recommended.
*Well, anything Guillermo DelToro touches is (usually) golden. He produced Mama, and it's a pseudo-classic. I sorta' freaked out on the feral kids, but that only hints at the spooky moments here. Very scary film. Too bad the last five minutes nearly derail the whole damn thing.
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toss in a ventriloquist dummy, with those dead, yet alive (SQUIRREL!) eyes, I'm terrified. And there's some pretty freaky imagery throughout the whole film. For the ladies, Ryan Kwanten (Jason from True Blood) stars and thankfully keeps his clothes on. Still can't act very well.
*Hey, punch in that Duran-Duran eight-track tape and welcome to the eighties! The Newlydeads is truly awful. It has some sorta', maybe, kinda' plot about a transvestite ghost, a hero the film apparently doesn't mind is a murderer, some psychic woman, fun decapitations, and lots of trees. If you're a fan of blowsy, big-haired, blond women in "mom jeans (the kind they wear up over their navel and wide at the hip like my dad used to wear)"--and admittedly, I'm a closeted fan--this is your film. I loved it for all the wrong reasons. Most I laughed all year.
*I bought into the hype and checked out three Boris Karloff "horror" films. Man, am I stupid. Night Key, The Black Castle, and The Climax (um, not a porno film). Obviously trying to leach onto Karloff's success in Frankenstein, all of these films' trailers claim to be the "most terrifying thing since Frankenstein." Yeah, right. The first two are mediocre melodramas. The Climax is horrifying alright. It's a friggin' musical that features one of those god-awful, bird-chirping, warbling singers from the forties. She'll make your tooth-fillings ache. And the lead guy's one of those rosy-cheeked, earnestly high-pitched voiced dudes who'll make you want to pull your hair out. I call unfair. And definitely not recommended. Any of 'em.
That about does it. I'd love to hear about everyone else's Halloween viewing.
Stay spooky.